Recycling art in Bremen: Grohner Dune creates furniture made of bulky waste!

Recycling art in Bremen: Grohner Dune creates furniture made of bulky waste!

In the Grohner Dune, the residents have launched a remarkable project: they have shaped garden furniture together from bulky waste. This creative undertaking is directed by the committed Lucy Liang, who received his doctorate at the University of Arts and has no manual background. Liang, which has been looking after various projects in Bremen quarters since last year, sees art not only as a decoration, but as a tool for social change and thus promotes active participation in the environment.

The offer was open to all interested parties, regardless of previous knowledge. Together, the participants lying down, stools, armchairs and even a rocking chair for two people. Before the project began, bulky waste was collected, which formed the basis for the new furniture. Accompanying this, art workshops were organized that enriched the creative experience. Liang was supported by the district manager Christian Ganske, the work and learning center and two friends. The open studio was financed by the GCP Foundation.

art for social sustainability

The goal of this project is clear: motivating people to actively shape their surroundings and thus promote social sustainability. "Art in the neighborhood has the potential to create community," says Liang. The furniture manufactured should remain in the Grohner dune for at least one year and invite you to use shared use. In times when social participation is important, such an initiative shows how art and craft can go hand in hand to strengthen the cooperation.

This commitment fits into a larger trend of the participatory art projects that not only address people's creative skills, but also create space for dialogue and reflection. Artist Carly Schmitt, who has planned similar projects across Europe and the USA, emphasizes how important the inclusion of all people is in the creative process. Regardless of income, cultural background or physical restrictions, all voices should be heard. For example, it creates city plans with children from families with a migration background, which shows how diverse the approaches to social inclusion are.

public space as an artificial area

The idea of establishing art in public space is not new. Since the 1960s, various art movements have been using public space as a platform for creative forms of expression. Projects such as Dorit Ehlers' "Grenzpoesie" in Salzburg show how art can be used as a medium of dealing with social issues. Such cultural education can also “casually” take place in non-institutional art spaces and thus facilitate access to art for many people.

The Grohner Dune is not only a place where furniture is created, but also a space of encounter and exchange. Art comes alive here and promotes cultural participation. In this living neighborhood base it becomes clear that art goes far beyond the aesthetic - it becomes a bridge between humans and creates the opportunity to work together in a better community.

Through projects such as Liang's that of Lucy Liang it becomes clear that art in public space contributes significantly to social participation, the cultural exchange and the positive development of the community. The project in the Grohner Dune is therefore not just a local event, but a small but fine mosaic stone in the large landscape of participatory art and urban development. Read more about the project on Alumni niportal Germany as well as other inspiring projects on kubi online .